Words by Justin Zhuang
Published onDecember 13th, 2016
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Three quarters of the way down the 2019 Unicode Document Registry, somewhere below a proposal for the Iranian symbol Faravahar…
About a decade ago, a designer at trading card giant Panini America was tasked with performing a resurrection. The goal…
With Brexit looming and all kinds of global strife taking center stage, there’s perhaps no better time for the first…
Name: Redaction Designers: Jeremy Mickel, owner of the type foundry MCKL and Forest Young, head of design at Wolff Olins…
Over the years, I’ve come to think of my relation to the work of Julian Glander a bit like Samuel…
Plus, a fun new app to make text more expressive, some brilliant Swiss posters for a concert series, and a…
There was a time, around 2013–2016, when the most experimental magazine in the world wasn’t some Berlin fashion zine that…
Snøhetta is not one for labels. The architecture-meets-graphic design-meets interior design-meets landscaping firm out of Norway has them, of course.…
In 2014, graphic design student Sarah Elawad moved to Qatar to study at a VCUarts satellite school in the capital city…
Of all subcultures, it’s not a stretch to say that punk boasts the most recognizable aesthetic: snarling, unashamedly DIY, and…
Name: Ping Foundry: Typotheque Release Date: March 2019 Back Story: For far too long, many non-Latin typefaces came into existence…
Neo Neo’s approach—like its name and team-size–is a two-pronged entity: the traditional, measured Swiss grid is ever present, but poked…
This interactive element at the Script & Stage exhibition was inspired by ticketing design of the different periods.
Courtesy of Fellow
