Words by Susan Merritt
Published onDecember 18th, 2015
Share: Twitter Facebook Pinterest Email
“Cae Sal” started with a video. It was 2018, and Molly Baz’s husband had gifted her a pair of Nike…
The French artists Eric Tabuchi and Nelly Monnier drive for about 10 hours every day, looking for reasons to stop…
This latest piece in our series Under The Covers, in which we shine a spotlight on a significant album with…
What does it mean to design for social change? For decades designers have tried to push the profession into more…
Beatriz González eschews labels like “pop artist” and “political artist,” which must be tiresome since most people’s first reaction to…
For some people, January is a moment to press pause on drinking. Bottles get hidden away in the bar cabinet.…
Name: Dédale Designer: Thomas Bouville Foundry: 205TF Release Date: October 2020 Back Story: Dédale began life in 2017 when Thomas…
To see the CIA launch a contemporary rebrand that has been likened to electronic music fliers or a generic tech…
Risograph zines are publications with much aesthetic hype, but they’re also a medium that allows for a democratic and attainable…
In 1996 while on his hospital sickbed, Huang Hua Cheng was eagerly completing two final projects. The first was his…
Name: F37 Caslon Foundry: F37 Designer: Rick Banks Release Date: November 2020 Back Story: F37 Caslon is, as the name suggests,…
Designing for clients such as the Museum of Modern Art, AIGA, Knoll International, The Metropolitan Museum of Art and Yale…
Wolfgang Weingart, Q, design alternatives for the cover of the magazine Design Quarterly, 1995, Xerography.
“Xerox and MacPaint Collages” Weingart used the photocopier beginning in the 1970s and MacPaint software on the Macintosh computer by the 1990s “to produce patterns and illustrations, which he then combined with other techniques” to create collages. (Weingart Typographie)
Museum of Design Zurich, Graphics Collection, © Zurich University of the Arts.
