Liz Stinson is a staff writer for WIRED, where she writes about design, technology, and where the two intersect.
Michael Ventura, founder of the creative agency Sub Rosa, is sitting in a conference room, a deck of eggplant-colored cards…
In an art museum, graphic design usually takes a back seat. It’s the practical cousin to the main attraction; the wayfinding arrow…
Every day for the past 1,353 days Alex Proba has made a poster. With no exceptions, Proba wakes up, sits…
The 2016 AIGA Gala is Friday, April 15, 2016 at Pier Sixty, NYC. A limited number of tickets and tables…
It was 1951 and Klaus Wittkugel had just designed a poster that was going to get him into trouble. As head…
The Herb Lubalin Study Center of Design and Typography is a graphic design nerd’s dreamland. In the 30 years the…
It only takes a glance to realize Even is not your typical art magazine. Despite being dedicated to the visual world, the journal’s…
Paper makes for a fine canvas, but you know what’s even better? A building. For the next week or so,…
In 2012, Errol Morris conducted a provocative test: The writer and director wanted to find out if certain fonts changed…
The title of the Cooper Hewitt’s recently opened exhibition isn’t a question—indeed, “How Posters Work” is very obviously a statement.…
Serbia isn’t exactly a design hub, but that doesn’t worry Nemanja Jehlichka. “There’s so much room for design,” says the…
There’s something a little off about The New School’s freshly debuted visual identity. It takes a second to pinpoint what…
